Various works
from 2019–2021
from 2019–2021
Click image to zoom!
Omsom, February 2021 (unofficial brand social media concepts: Zoom background & IG posts**design exercise & copy pulled from company**)
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A Sunny Day, Not Too Crazy, November 2020 (Dérive narrative on website coded from scratch in HTML/CSS, designed with Emily Knobloch)![]()
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Design Nomads, December 2020 (group installation of risograph sculpture interrogating design as a profession. Exhibited as a Senior Design Studio at Boston University School of Visual Arts Gallery 5. Designed and produced with Emily Bowen, Angela Lian, Chinwe Oparaji & Eleanor Schiltz. Full documentation on Medium)
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Spark Joy, May 2020 (illustrated postcards for my friends with one word I thought they needed to hear)
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Virulent, February 2020 (Pop-up installation in collaboration with Gregory Bond, Eun Kyo Hong, Joyce Hu & Emerson Lawton; read placard here)![]()
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Food photography
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SXSW Experiential Storytelling Identity & Poster Series, November 2019 (Three 12×18” posters)
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Flag of the Mourned, November 2019 (Flag mapping 20 most horrific mass shootings up to that point. Symbol meant to evoke unity that can emerge in communities in spite of the fragmentation of families that mass shootings inadvertently target.
Portrait photo series of different people I engaged the topic of US gun violence with at the Ruggles MBTA station, which during that month had just featured a photo exhibition dedicated to families and friends of homicide victims)
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2020: A calender of protests and proclamations, December 2019 (8.5×11” spiral-bound risograph 2020 vision calendar. 12 Junior Fall Typography students, one per month. Jay: typographic response for May responding to Asian Pacific American Heritage Month. Exhibited at the Boston Art Book Fair (2019), The Odds & Ends Book Fair at Yale University (2019). 2-color spot illustration. Printed by Loyal in Somerville, MA.)
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Metacookbook, October 2019 (Zine breaking down food concepts at each level of biological complexity through metaphor, from cell to biosphere. Curated texts include David Foster Wallace’s Consider the Lobster, Kant’s Aesthetics & Teleology, Why ‘Authentic’ Food is Bullshit, and self-written prose & poetry)
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A Sunny Day, Not Too Crazy, November 2020 (Dérive narrative on website coded from scratch in HTML/CSS, designed with Emily Knobloch)
Design Nomads, December 2020 (group installation of risograph sculpture interrogating design as a profession. Exhibited as a Senior Design Studio at Boston University School of Visual Arts Gallery 5. Designed and produced with Emily Bowen, Angela Lian, Chinwe Oparaji & Eleanor Schiltz. Full documentation on Medium)
Spark Joy, May 2020 (illustrated postcards for my friends with one word I thought they needed to hear)
Virulent, February 2020 (Pop-up installation in collaboration with Gregory Bond, Eun Kyo Hong, Joyce Hu & Emerson Lawton; read placard here)
Food photography
SXSW Experiential Storytelling Identity & Poster Series, November 2019 (Three 12×18” posters)
Flag of the Mourned, November 2019 (Flag mapping 20 most horrific mass shootings up to that point. Symbol meant to evoke unity that can emerge in communities in spite of the fragmentation of families that mass shootings inadvertently target.
Portrait photo series of different people I engaged the topic of US gun violence with at the Ruggles MBTA station, which during that month had just featured a photo exhibition dedicated to families and friends of homicide victims)
2020: A calender of protests and proclamations, December 2019 (8.5×11” spiral-bound risograph 2020 vision calendar. 12 Junior Fall Typography students, one per month. Jay: typographic response for May responding to Asian Pacific American Heritage Month. Exhibited at the Boston Art Book Fair (2019), The Odds & Ends Book Fair at Yale University (2019). 2-color spot illustration. Printed by Loyal in Somerville, MA.)
Metacookbook, October 2019 (Zine breaking down food concepts at each level of biological complexity through metaphor, from cell to biosphere. Curated texts include David Foster Wallace’s Consider the Lobster, Kant’s Aesthetics & Teleology, Why ‘Authentic’ Food is Bullshit, and self-written prose & poetry)
